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Teoria del Teatro e della Performance

Questa serie approfondisce questioni critiche sul ruolo del teatro nella cultura, concentrandosi sulle pratiche contemporanee e sulla storiografia. Scritto per studenti e un pubblico generale, ogni volume utilizza casi di studio per immergere i lettori nei dibattiti attuali negli studi teatrali e di performance. Esplora approcci interdisciplinari alla creazione teatrale e le implicazioni di come viene studiato il teatro. La raccolta offre profonde intuizioni su un campo in continua evoluzione.

Copyright and the Value of Performance, 1770-1911
Stage Fright, Animals, and Other Theatrical Problems
Professing Performance

Ordine di lettura consigliato

  • Professing Performance

    Theatre in the Academy from Philology to Performativity

    • 268pagine
    • 10 ore di lettura

    Focusing on the evolving use of the term "perform" in contemporary academic discourse, this study explores its significance across various prefixes and suffixes, revealing its complexity for students, artists, and scholars. By analyzing the history of theater studies and contrasting different disciplinary interpretations, it contextualizes performance theory and performance studies, highlighting the intricate relationships between these fields and their institutional developments.

    Professing Performance
  • Focusing on the intricacies of live performance, this study examines the various mishaps and challenges that can occur on stage. It delves into the factors that contribute to these errors, exploring both the technical and human elements involved in theatrical productions. By analyzing real-life examples, the work offers insights into the complexities of staging and the resilience required from performers and crew when faced with unexpected situations.

    Stage Fright, Animals, and Other Theatrical Problems
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    Copyright and the Value of Performance, 1770-1911